Dinner-the evening
Friday 2.7 at 22:00 Inbal Theatre - Suzanne Dellal.
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" The interesting part is to see young and courageous art creators who experienced a process of cleaning, they threw everything they knew and went on a true search for personal movement language.
Since the dance derives from true place, it is full of magic "

" Marriage "
Ruth Eshel, " Haaretz "
24.3.03

"The two duets of Stern and Sharabi are gems. In " Full Moon " the couple investigates the movement possibilities found in the physical encounter of their bodies with each other. The movement combinations are original and surprising.
" Susim " (horses) is a delicate duet like pastels water colors painting.
The sense of space between the dancers is so intimate and full of magic due to the straightly, simplicity and sincerity of the movement."

" Full Moon " and  " Horses "
Ruth Eshel, " Haaretz "
2.4.04

"The coordination of Stern and Sharabi in the dance "Keep Walking" is complete. each body recognize the other body, knows it and live trough it. their body is combined and so is their soul. they loose their personality and get a new identity."

" Keep Walking "
Zvi Goren " Habama "
8.12.04

" They invent movements that no one else thinks of not to mention perform it. What motivate them – whether their inspiration derives from the natural wold or like in their latest creation " Happiness " the urban environment – is the basic instinct, not rationalistic. Even more its their urge for conection and touch. Each time finds its new language their language. "

" Happiness "
Gilad Reich " 360 degrees "
28.12.05

" In this new dance Maya Stern and Tomer Sharabi ceate quite an hermetic structure of
a couple that goes to feed love, to look for tenderness, affinity and unity, but find themselves as predators and preys, as if they drown in a stormy sea or cling to a rescue board "

" Dinner "
Zvi Goren " Habama "
27.11.06

" Maya Stern's solo dance Olympia shows creative maturity and performing quality as well as conceptual depth. It is seemingly a solo dance, but all along I had felt that Stern brings into it her vast experience of dancing with a partner. This time the presence of a partner is covert, as if there is another individual, one that even turns to be a group on certain moments. Thus Maya Stern reaches a significant dance achievement of creating a dialogue through a monologue. "

" Olympia "
Zvi Goren " Habama "
25.3.08